Utah Arts Magazine
"[Home Made] examines the peculiar awkwardness of human beauty and exchange"
Oregon Arts Watch
"Make Believe isn't butoh, but it communicates in a similar way, along some neural pathways that are almost vestigial or at least unconscious. At best, it puts you on edge."
Oregonian
"[The dancers] twitch and pose and retch in crisp unison, embrace and manipulate each other, wrench their bodies while Kraft twists their voices"
Research Club
"tEEth's exhibition of grace-amoung-transgression is perhaps the most thoughtful gift the show offers to its audience"
Tulsa World
"[Home Made] is such a powerful piece that I didn't want to schedule anything else this weekend."
Willamette Week
"The imagery is provocative, and much of it is intentionally unpretty, although the dancers, with their technical chops and laserlike focus, do it beautifully"
Crosscut
"Make/Believe is such a visually and viscerally compelling work it doesn't matter what one makes of the content"
National Theatre of Korea
"우리에게 친숙한 미 서부 LA와 샌프란시스코의 북쪽에 는 포틀랜드라는 작은 도시가 있고, 다시 이곳에서 북쪽 으로 올라가면 캐나다와 접한 곳에 시애틀이 있다"
Left Coast Festival
"[Home Made] An inventive combination of voice, film, and choreography"
Oregonian Preview
"[Home Made] is a narrative of lyrical tenderness and raw hostility on the bliss and ruthlessness of romance"
Portland Monthly
"[Make/Believe] It's going to wrap your brain up in knots"
The Sunbreak
"Hebert's choreography, together with Kraft's sound design, openly lays claim to the audience from the get-go and doesn't release its hold for a moment"
Urban Tulsa
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